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Downwrite - Every writer is a frustrated actor who recites his lines in the hidden auditorium of his skull; Rod Serling

Great: Part 4 (FINAL)

February 19th 2007 02:46
Brisbane Skyline as seen from south bank


Dutch shakes me to wake me up. I open my eyes.
Myeh hemm, I say.
Hey. Hey, Coby. Wake up.
Mmm, I say. My eyes peel back open. I blink at her.
Um, she says, I’m going to work now. I’d like you come with me to my office and just meet a few people. Then you can do whatever you want for the rest of the day. I’ll give you money enough for a trip home, and you can catch a train. How’s that?
I give a groggy mumbled, right-o.
We have to leave in fifteen minutes, she goes. I don’t have many spare clothes, but there’s a shirt you can borrow. It’s on that chair. I’ve also got you some breakfast set up. Bacon and eggs, on the table.
She points. I nod, and put my head back down, for a few more seconds of peace.
Coby! She yells. I wake again, with a shock to my centre and yell something incoherent.
We have to leave. In six minutes, she says pointing to her watch. Shirt is on the chair. Hurry up.
I pull myself off the couch. I want to know how my sudden escape from monotony has become another trap on the foul smelling flypaper of suburbia. I want to know how my first sexual experience in a hundred years turned into late night French Sex Before Soccer.
I drag myself up to my feet, picking up the blanket and shoving it in a heap back up on the couch, and walk over to the shirt. It’s not bad. White, with the Holden H on the front. I pull off my other shirt. It’s rank with the stench of sweat. My body is laced with the same black perfume. A toxic gas dripping down my greasy chicken skin.
Do you have any Deodorant? I say.
No, she says.
What about perfume?
Yeah, why?
I don’t know, but I think she’s uncomfortable with me standing around bare-chested. There’s not a good deal I can do to remedy it though.
I smell really bad, I say, and I don’t think I’ll have time for a shower.
She walks off for a bit, and I just stand around doing bugger all. It’s not hard. I’ve had a lot of practice. She returns, chucks me a blue spraycan.
Cheers, I say.
Sorry if it’s no good, she goes. It’s the most masculine I could find.
Doesn’t matter, I say, as I spray it on. A foul mandarin peel smell pongs out, but I’d be lying to say it wasn’t an improvement. I chuck on the Holden shirt and hold up the other.
Where should I put this, I ask.
Take it with you. Are you ready to go? She says. We need to move fast.
I’m ready… I have no shoes… just thongs.
Whatever. That’s fine. Jesus… you didn’t eat your breakfast...
I’m sorry…
Take it with you. Grab the plate and knife and fork, and meet me in the car. Fast. I can’t afford to be late. Understand?
It would seem her irritation has grown into
Yeah, I say.
Good. Hurry.
She zooms out the door, and I rush to grab breakfast, shoving the cutlery into my pocket. I feel like crying. This girl I so adored as soon as we met… she’s turned into smoke. I can’t touch her, I can’t be close to her. I can’t live with her – I can go… well, home really. This was all a mistake. A pleasant one, mind, but you have to know when something wasn’t meant to be. This was never a good idea.
I open the car door, bacon and eggs plate in one hand (plus tomato, a cheerful fact previously overlooked) door handle in the other. As I open the door the plate tilts and the egg slips off, hitting the ground with a tiny yellow explosion. I swear, and Dutch gives me a quick unhappy look.
What? she says.
Nothing, I say, sitting into my seat, fork prongs sticking into my leg. I ignore them. She starts the car and begins backing.
I just dropped the egg on the gravel, I say. Sorry.
She shrugs. Your loss, she says.
We pull up onto the road. I use the knife and fork at first, but it’s not much successful. I resort to fingers. I’m disgracing myself, I’m well certain, in front of Dutch, but she seems to be unhappy enough with my presence as is. I’m not worried about losing a few more pages in her good books.
She puts in a CD, ignoring the crap on the radio. Something Good Must Come is the first song. It’s nice. Optimistic. Pleasant.
I’m either grinning because it’s nice, or grimacing because it’s ironic. I’m not certain which.
Look, she says… and pauses, a long pause. She sighs. I… I’m really sorry about saying come live with me, then kicking you out. I’m very impulsive, and that leaves me in trouble sometimes, you know?
OK, I say.
I don’t mean to be a bitch, she says, and looks at my greasy fingers. Do you want a tissue?
Ah yes please, I say. It occurs to me I actually would have rather not been a grub in front of Dutch.
Sorry about being a grot, I say.
Whatever. It can’t be easy using knives and forks in a car.
Yeah.
We turn a corner. There’s a bit of a jam, but Dutch is cool with it. She’s chilling. Must have accounted for travel time already. I pick at a nail.
Who did you want me to meet? I ask.
Oh? Oh, yes. Just some colleagues and that.
Of course, that’s when I get it. She never needed me to meet anyone. All she needed was for me to leave the house. She just didn’t know a better way to say it.
Eventually we pull up at her workplace, a little place called Ice-Kore. It has a huge substandard sign stuck above it in collapsing chipboard. She parks in one of the [Employee Only] spaces, and pulls the door open, stepping out. I do likewise.
What do I do with the plate and stuff? I say. She shrugs. Leave it in the car, she says. I slam the door, a little too hard, and we move towards the substandard entrance of the substandard little firm.
We enter the room. An Antarctic breeze blows out from the aircon in the corner, rattling away with a throaty mechanical gurgle.
Come this way, she says, and leads me over to a desk.
What do you do here? I ask.
Website design management.
You make sites?
I plan sites. This guy makes them. Andrew! she calls. Andy!
Andrew (presumably) turns and looks at us. He is a scrawny, ugly fellow, with a devils goatee and mo plastered across his bony face. He smiles at me. Teeth like a Colegate ad.
Hey, I’m Andrew, he says, in a deep gurgle, and points his hand out. I shake it and he crushes me, a hard, arrogant masculine grip, designed to intimidate.
Andrew is the Alpha geek around here, says Dutch. No site he can’t make.
I wouldn’t be anywhere without Miss Mary here, he says. Dutch fakes flattery. I have no imagination, he says. I need her mind to cook me up some challenges.
Oh, I say.
A young woman walks in. She’s Japanese. Dutch’s face takes on a new, incomprehensible expression.
Hanako! she says.
Sana turns and looks at Dutch, then at me.
Ah, she says.
This is the gentleman I was telling you about the other night, she says, although this is already blatant to myself and Sana.
Pleased to meet you, she says, with imperfect pronunciation. Coby, am I correct?
Yeah, I say. How’s it going.
I am very well, thank you. Do you like the office?
Yeah… I don’t know… I’m more of an outside person.
Ah, OK, I see.
Dutch turns to me. Are you ready to go home? she asks.
I’m not, of course, by a long shot, but I nod and say yes. She reaches into her wallet and pulled out a twenty, offering to me. I want to decline, but I’ve hardly the cash to eat, let alone find transport home so I accept with a soft thank you. Honor seems a privilege of the wealthy.
I stand around for a few moments.
May I have your number? I say.
No, she says.
No, she says.
Oh, I say, and with that, it seems that everything has been said, and something else inside of me, an emotion that feels like a soft white rabbit curls up and dies. I leave the room, twenty dollars still crunched up in my fist.
I’m not at all certain where I’m going. I don’t care. I walk up to the road, don’t look once let alone twice, just cross it, regardless of cars, striding arrogantly towards the traffic island. Nothing hits me, and I feel almost disappointed. I want to punch somebody, or kill something, or set something on fire or whatever. I’m about to cross the next just as carelessly, but I stop as a car zooms past. Foul swear words drip out from the embittered and gloomy insides of my brain, to hiss out in a venomous pointless muttered rant. I’m in a park, surrounded by people. They all suck. They can all go rack off and die.
Groceries.
A tree is just beside me as I remember, and it cops my wrath, my already damaged shoe kicking it with what weight can muster. I swear loudly. Parents maneuver their kids strategically as far away from me as possible. I turn, storming towards the substandard Ice-Kore, where deteriorating chipboard snows down.
I go up to Dutch’s car, tug violently on the door handle, but it’s locked.
I turn, walking towards the door, and knock. Dutch, and the rest of the room turn, looking at me. Sana touches her arm, saying something and Andrew observes me with seemingly homicidal intent. Slowly, Dutch walks towards me, opens the door.
Hi, she says.
I need my groceries, I say.
Oh. Right. She leaves the room, and walks to the car. I follow. She jams the key into the hole, turning it. The lock clicks open, and she opens the back door for me, where my two bags still sit. I stuff the twenty dollars into a pocket, grab them, turn, barely acknowledging Dutch, and walk off.
Coby, she says. Her eyes are red. She’s been crying. The words – it’s your own bloody fault – come into my head. Of course, she may not have been crying. She may have a fever. And if she is, it’s only narcissism that tells me it’s definitely about me. She may have just heard her cat died, or her mother was stabbed. Whatever.
She struggles for a few moments, holding my attention, but not really certain what to do with it.
She says, have a nice day.
I feel like saying rack off and die.
But of course that would be rude.
I say thank you.
And I go.

It was never my intention here to depress you. This was never meant to be a ‘weepie.’ At any cost, I’d still consider myself far too much an unsympathetic protagonist for anyone to entirely empathize.
Right now, I’m sitting dejected on a hill, aiming imaginary snipers at the City Cats to silence their droning engines. A Korean girl in a Hello Kitty shirt wanders past, and I consider flirting with her, but it’s hardly worth it.
I’m not going back. Not back home. This place is the first shot I’ve had at anything good in a long time, and I’m going to hold on like buggery. Maybe I’ll find a job. Maybe sometime I’ll rock up to Ice-Kore and make amends with Dutch. Maybe I’ll ring Gary and take him doofing, or mum and take her shopping. Or whatever.
Right now though I’m just sitting, just aiming imaginary rifles at boats, bored and bitter in the middle of a new chance called Brisbane.

IMAGE
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Great: Part Three

February 17th 2007 07:29
a messy room


She opens the door and steps inside I follow. She has a small room, with cupboards and a bed. To one side is a kitchen. To the other is a bathroom and toilet, along with a washing machine. That’s all.
Clothes lie on the ground. A bra sticks out from under the bed. A small pile of plates lean beside the sink. There are cracks in the ceiling. Her tiny dinner table has scratches down the side.
She walks over to her bed and sits on it.
I feel so rooted. I hate driving, she says.
I can understand that.
At least you got a sleep.
Mmm.
She looks at me, quizzically, and almost embarrassed.
I’m sorry, she says. I never asked. What’s your name?
Coby, I say. Rhymes with Obi Wan Kenobi. I pause for a second.
I’m sorry, I’ve forgotten, I add. What’s yours?
Mine?
Yeah.
What do you want it to be?
I dunno.
Come on. Give us a name. Name me. Something good.
Like what?
I don’t know. Use some imagination.
I give the matter a few moments of consideration. I play with words and sounds. I look at her. Her hair is a charcoal black, halfway to her shoulders. Her face is gently tanned. Her earlobes are disconnected, and cute. Her nose is kind of Chinese. And then there’s the eyes – those big beautiful brown eyes. You can’t miss them.
I’ve got a name, I say. But I don’t imagine you’ll like it.
Try me.
Dutch.
Dutch?
Yeah.
Why?
I dunno. The word just seemed to suit you. I guess.
Hmm.
She pats the bed beside her.
Come down here. Sit.
I sit down beside her. She gives a tiny grin.
Nervous?
A little, I admit.
Don’t be.
She takes a hold of my hand, and we run our fingers through each others. She leans up, and kisses my cheek.
I put my hand on her leg, and feel the shock of sudden human contact. I close my eyes as she pushes her fingers into my hair, pulls my face close and kisses me. Our lips mesh together, and I move my hands up over her leg across her stomach. One of her hands remains entwined in my hair, gripping our mouths together, the other sliding down my back. My hand slides up her ribs, towards…
The phone rings.
Uh huh. She pulls herself from my embrace, and looks at me apologetically.
Sorry, she says. I wave a dismissive hand, pretending like I don’t care. She picks up the phone.
Hello, she says, then closes her eyes in a pained expression as the person on the other end replies. She covers the end for a moment.
It’s my mother she says, then returns to the conversation. Yes, mum, I do have someone here… Coby… no, he’s white…I don’t know mum, I didn’t ask… hang on, let’s see… She looks directly at me. Are you a rapist? she asks.
What?
Are you a serial rapist or murderer?
No.
Thank you. She returns to the phone conversation.
I stare at her wall. There’s a single poster of some half naked Indian, coated with a gentle film of dust. I turn to the other wall, which is empty. On the ground lies an empty bottle of rum, which is a promising sign. Dutch leans over me, to a table, and grabs a notebook and pen.
Yes, she says. I know. Christmas time. No. No. Mum, you don’t need to know that. No, I’m sorry I’m serious. No. No mum, that was like, Switzerland or something. Australian condoms don’t cause cancer. Yes. Yes I will. Mum, I don’t… no, mum, I really don’t need to know that. Yes. In the fridge, yes. No, not near seafood.
She makes a face signaling desperation, and flashes the notebook at me.
Sorry I might be a while, it says. Feel free 2 go exploring the house or the street or whatever.
Is she crazy? It’s almost pitch dark outside.
Yes mum, she’s saying. No. Who? He’s gay. Who? Him? He’s not the gay one. Is he? Jesus. I never would have guessed it.
I walk slowly through the house, dusty, stale, mouldy. I look in her cupboard, beside the TV. A Six Feet Under DVD, but no DVD player. Four videos called ‘Mary and Tom/Pete/Andrew/Sana.
I walk into her bathroom. Messy. A used tampon lies in a corner, but I ignore it. There’s antidepressants in the cupboard.
I walk through the kitchen. Messy, again. Spots of bacon splattered across the grill. The fridge is empty. I look behind me and see her cleaning up in her room, as she talks. Nearby is the door outside. I open it.
The night is cold, and discomforting, and suddenly I’m reminded of home. I wonder what’s going to happen to my house. Bills to be paid. Rates. Electricity maybe, if I’ve left a light on or something. Maybe I could ring my mum, get her to help. Or Gary. He’d be overjoyed with the opportunity to feel useful.
You can’t, mum, says Dutch, walking past. Not from a swimming pool. No. But that’s different mum…
I walk down the short flight of stairs. The slick air of the Summer night warms my head. Headlights fly by on the roads outside, on a noisy journey down a river of darkness. Above an Adult Store, a kitsch neon swirl entices flying creatures to an early death..
The road is a living thing. Everyone has somewhere to go. People to see. Wives to take for granted. Kids to ignore.
I reach my hand out, and wave it in the sweaty silk of the night heat. Right now I feel suspended, like I’m held up in a massive liquid sphere, stuck gently to the end of the universe, rotating on a chameleon’s eye. This is surreal. I smile.
Yes. I smile. For the first time since the world froze over, I crack a smile, a real, honest smile. It’s only for a moment, just until I step in something that’s either vomit or sewerage, but nevertheless it’s a spark of joy in an otherwise dark vortex. I began this day in a bed surrounded by rubbish, with no hope pining for someone who was never mine in the first place. Right now, it’s cold, I’m almost lost, I can’t see properly, and whatever I stepped it smells pretty bad. But you know what? Being here now, like this - it isn’t perfect, or even necessarily good. In fact, it still kinda sucks. But it’s still better than what I had before.
And for now, that’s enough.
My legs begin to ache. Time, I decide, to return. I look across the road. Far off in the distance, like a sacrilegious star of Bethlehem, I can see the glittering pink of the Adult Shop’s swirl.
It’s easy to get mixed up on the way back. I walk past Dutch’s house two or three times before arriving, banging my knee on her car. I look up, into her window.
I see her put the phone down and sit on her bed. She slumps her head in her hands, then looks up. I see her mouth shape a swear word, and she punches a pillow.
It’s not right for me to see this, I decide. I walk up her small concrete stairs, nearly tripping on a smirking garden gnome. I knock. Dutch opens. She has wiped the stress off her face and returned to her happy self, like some kind of emotional chameleon.
You’re back a bit late, she says.
Got lost.
Come in.
I follow her in. She’s set up the couch like a bed, pillow, sheets and quilts. Not great, but I’ve slept on worse.
This is where you can sleep, she says.
Oh. I say. And it’s a stark ‘oh’ a very stark and surprised one, because I’d been under the impression I’d be sleeping quite a bit closer to her. Romantic visions of waking up together fizzle into oblivion.
I’m going to bed now, she says motioning to her room. I want you to say out of it. It’s my private space in there OK?
Um, OK, I say.
This was never on the cards. This loneliness and isolation was never what this was all about. Alienation. We were never meant to feel like the strangers that we are.
I’m serious, she says. I’m sorry, I hope I haven’t led you on or anything, but I’m really… I’ve had some time to think about it all, and it just… I’m not as comfortable with this whole arrangement as I was at first. I’m sorry. I can’t go and… Jesus. I feel like an idiot. I don’t know. I can’t ask you to leave after coming here but… would you be able to go back home… sometime quite soon? I mean, it’s all my fault and that but… I wou… I need you to move out very soon. OK?
OK, I say, (though of course it isn’t) My heart has melted into a puddle of sap and tar.
The TV is OK if you want to watch it, she says. I’m going to bed so… you can put it quietly. There’s not a real lot to do here. Kind of… you know how it is. I’m… I’ll see you in the morning.
She goes into her bedroom, closes the door. I slump into the couch. Things are grey again. After a while she’s talking. The telephone cord winds into her room.
I watch TV, quietly for a while. Big Brother. Soaps. God-in-the-Box. Something sexual and French on SBS.
I can’t stay, of course. That has been made painfully clear. Even more painfully clear is that I can’t leave. I can’t go back home, no way on Earth. This has been the best thing that’s ever happened to me. I can’t leave this all behind. I don’t feel dead anymore.
If I had actually gotten around to cutting my wrists, as had been ambiguously placed in my mental things to do list, it would have been like the final death of many would be complete. My body withering away and dying like my soul had done so long ago. The body, the chuck of crappy flesh, my ‘mortal coil’ so to speak would be the last thing to go. A shell, a hollowed out shell, to revert to the kitsch of a cliché.
I stare into the TV. The buzz of sound, the flashes of coloured light. This brain numb. Back to SBS. French talking. Subtitles. Move to ABC. A man shot in the head. It’s the news. We see the Prime Minister. Big Brother is over. Ads. Phones. Crazy Frog.
I lie back and turn off the telly. It’s dark. A light and a mumble flow out from under Dutch’s door. I try not to think at all but I end up just staring into the blackness that has no end.

IMAGE by Chiwalou.
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